EQ got easier when I stopped asking it to do everything I need to start this one with a confession: I used to be completely lost with EQ. Not “I am still learning” lost. I mean guesswork lost. I would watch the analyser, drag points around, do things that felt like they should be right, […]
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Audiobook Audio (V3) Part 9: Invisible Cadence Editing in Logic
The edit that feels wrong This part is about the kind of editing that can be technically perfect and still feel wrong. You know the feeling. The noise is gone. The cut is clean. There is no obvious click or pop. And yet the sentence feels impatient. It feels like the narrator is rushing the […]
Continue readingAudiobook Audio (V3) Part 8: Clicks, Breaths, Plosives
When repair tools start eating speech This part exists because I did the most tempting thing in the world: I tried to fix mouth noise with a tool. And it did not just smooth things out. It started deleting speech. Not subtly. Not “maybe it is a touch softer”. I mean full consonants disappearing. Occasionally, […]
Continue readingAudiobook Audio (V3) Part 7: The Noise You Notice
The noise that steals attention Quick experiment to start. Imagine you are listening to a narrator in a quiet room, and underneath the voice there is a faint something. Not loud. Not obviously bad audio. Just a little texture. Now imagine that texture changes every twenty seconds. That little moment of checking is the problem […]
Continue readingAudiobook Audio (V3) Part 6: Leave Headroom
Why headroom is a performance tool This part is about gain staging, which sounds like the dullest part of audiobook recording until the exact moment it matters: a line that suddenly gets louder than the rest. In a chapter I recorded recently, there was a scene where a policeman shouts at a crowd. Not a […]
Continue readingAudiobook Audio (V3) Part 5: Remove the Safety Net
When the microphone starts hearing your habits The last few parts of this series have been about the capture side of V3: the recording chain, mic technique, consistency, and choosing a book voice on purpose. That work made the microphone more predictable. It started hearing the same voice, in the same way, every time. And […]
Continue readingAudiobook Audio (V3) Part 3: Mic Technique Is Processing
Learning the MV7+ Like an Instrument In the last segment, I stripped my recording chain down until there was nowhere left to hide, removing all the links in the chain that were there to fix my audio and that immediately exposed something uncomfortable: If I wasn’t going to fix things later, then everything had to […]
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